In the beginning was sound

This is an examination of the secrets behind frequencies seen in a musical perspective. Let’s start with a postulate. The six tones in the scale have a particularly universal frequency. This frequency is not relative, but absolute.

Disclaimer:
I already hear a whole opera choir of protests.
NB! I do not throw around claims, and yes, I have a university degree in musicology / music science + various studies and educations behind me (violinist, conductor) + long practice as a composer, so I have thought a bit about what I say and write.
NB again!
I would not dream of beating your head and intimidate you with an academic title that is not in itself worth a shit. But if you, on the other hand, make a presumption of my ignorance and want to educate me based on that, then I would be a little careful.
Now it’s said.
Let’s be curious together and examine really interesting stuff.

Having said that, it must also be added that the subject certainly does not belong in the mainstream of musicology. It falls almost totally beside that. It’s the beauty of adventure, a beauty I hope you’re able to enjoy too.

In the other ditch, I experience newage types who have just thrown themselves into the arms of the phenomenon. I do not know what is most nonsensical. So who is the target audience for this dissertation? Everyone who, like me, likes to dig a little deeper and throw away the belief that they already know EVERYTHING in advance. But also those who think it very difficult and academic and nerdy to understand. It is not.

Solfège i Hz

Ut 396 Hz
Re 417 Hz
Mi 528 Hz
Fa 639 Hz
Sol 741 Hz
La 852 Hz

Hz means Hertz named after Heinrich Rudolf Hertz, who invented the concept in the 19th century, and since is was adopted as a standard in 1935. It is the measurement of sound oscillations per second. The exact numbers above is the object of study that may, on superficial consideration, appear to be an assertion.

In normal music theory, the notes are called C-D-E-F-G-A and correspond to the white keys of a piano.

The chamber tone in a modern context is 440. And yes, I know all the discussions about the fluctuating chamber tone, but that’s not what we’re talking about here.

The chamber tone in the natural / universal tone system is 432, which is a partial tone, an overtone in relation to 528 Hz. We shall see later how the particular frequencies are revealed. And the lofty word revealed is not accidental, as it hides in a special Bible coding that was only rediscovered in 1998.

A whole movement has formed around the chamber tone 432, but not many people have understood where the whole phenomenon comes from. And those who have not heard of it or just count it as a fluffy NewAge phenomenon – what it can easily be, if you just jump the intermediate bills over and directly into the pot with gathered legs – have not understood much either.

The following is a study of Solfège as both syllables and frequencies. There is a string of research behind it, to which reference is made. Fasten your seat belt before it gets nerdy. But if you get through it, you might get a WOW, just like I got by revisiting and deepening the field after a number of years on the shelf, where a new and very concrete layer came into view.

The source of tones in the Solfège

The source is found in Guido of Arezzo’s hymn Ut queant laxis attributed to Saint John, which means John the Baptist (not John of Padmos, the evangelist – did he exist or not, was he just an invention of Josephus Flavius, the Jewish historian and aristocrat that was ‘inside’ St. Paul). It is derived from the collection of so-called Gregorian hymns included in the liturgy called Liber Usualis.

Each note is a syllable in the Latin text that falls on sung places according to. the classical metric. Classical metrics is not a mathematical-rigid set of rules but derives from recitation = singing of poetry. The verses are always composed of combinations of 2 and 3, so that they follow the language organically-musically.

Ut queant laxis
resonare fībris;
Mira gestorum
famuli tuorum;
Solve pollutī
labii reatum,
Sancte Iohannes.

Translation

Ut queant laxis – For thus redeemed
resonare – resonere fībris – threads, fibers (dative, ablative of fibra?)
Mīra gestorum – Wondering about deeds (MI as in miracle)
famuli tuorum – your servants
Solve polluti – Cleanse from sin
labii reatum – splashed lips
Sancte Iohannes

A very nice recording of the anthem. Hear how it flows organically and rounded in the sung metric. The recording does not follow the Solfeggio frequencies as expected, because this knowledge was lost before the Middle Ages, when these hymns originated.

On occasion, when I come near an empty church room with a sound recorder, I should try to make a recording where MI is 528. I’m interested in the experiment and you might be interested in the result. Consider this [528] as a placeholder.

Translation in context

That your servants with their sprinkled lips cleansed from sin may be redeemed and as resonant threads in song praise your creation, St. John

There are five more verses in the hymn = six in total.
They are all sung in the recording above.
http://www3.cpdl.org/wiki/index.php/Ut_queant_laxis

Healing frequences

Out 396 Hz – Liberation from guilt and fear
Re 417 Hz – Redeeming situations and helping to change
Mi 528 Hz – Transformation and Miracles (DNA Repair)
Fa 639 Hz – Connections, Relationships
So 741 Hz – Creative expressions and solutions
La 852 Hz – The Return to Spiritual Order

These properties of the frequencies come from David Hulse, sound therapist. We’ll see where they come from later. Very surprising!

Newage superstition?
A Japanese scientific study from 2018 of the frequency 528 concluded that the frequency had an extremely strong stress-reducing effect even within five minutes for the test subjects who were exposed to the frequency.

528 is also called the heart frequecy. MI is the miracle that happens in the heart, where according The Heart Math Institute the strongest electromagnetic field in the body is located. This can be a disturbed field, a scared heart. It can also be a harmonious field, the peace of the heart.

Cymatics

Ut 396 (24 anti nodes)

Re 417 Hz (28 anti nodes)

Mi 528 Hz (32 antinoder)

Fa 639 Hz (38 antinoder)

Sol 741 Hz (42 antinoder)

La 852 Hz (48 antinoder)

Using a tuning fork in that frequency, a unique pattern is formed with a set of antinodes at the edge. 528 reads as follows:

The frequencies can be reduced to 3, 6 and 9 via Pythagorean cross-sum mathematics. Any integer division of 72 contains a mathematical relation to phi. 12, 9, 8, 6, 3, and 2 are usable. ” 12, 9, 6 and 3 in particular all have specific meaning in esoteric systems, which are fragments of a forgotten total system, an original science.

I will have to mention in passing two figures who have been researching water. Masaru Emoto has just researched water in terms of intentions. Victor Schauberger has researched water in terms of dynamics and movement.

The frequencies in hz can be reduced via cross sum to these numbers:

369 = 18 = 9
417 = 12 = 3
528 = 15 = 6
639 = 18 = 9
741 = 12 = 3
852 = 15 = 6

Nikola Tesla said:
If you know the meaning of 3, 6 and 9, you have the key to the Universe.

Pythagoras

There is a relation the number 72 – phi = 0.5 x [secant 72⁰]

The secant of a circle is a trigonometric function abreviatet in math to sec (sec {} = 1 / cos {})

Phi, along with Pi, are the two big strange and skewed numbers that permeate the Universe. The third ‘number’ is not an actual number but a relation, an algorithm called the golden ratio. The Fibonacci series is 1,1,2,3,5,8,13, 21, 34, … so the sum of the two previous numbers is the next in the series.

Pythagoras’ system describes the intertonal relations, the intervals. It is also the harmonic series, and this is built according to the algorithm the golden ratio. Note: Number 1 is repeated. For the Greeks, numbers were not just math numbers, they were expressions of universal fundamentals. 1 and 1 is not the same.

Basic tone: the Prime is the relation 1:1
1st overtone: the Octave is the relation 1:2
2nd overtone: the Fifth is 3:2
3rd overtone: the Fourth is 4:3
4th overtone: the Octave above
5th overtone: large Third is (3/2)⁴ x 1/2)²
6th overtone: small Third is (2/3)² x 2²
7th overtone: small Septim is (2/3)² x 2²
8th overtone: the Octave above-above
9th overtone: the Octave + large Second is (3/2)² x 1/2
10th overtone: the Octave + small Second is 2/3)⁵ x 2³

You do not read and notes sheet music? Shame on you 😉
No, don’t worry.
The topic is much to important to leave to experts.

But look at it graphically as a curve flattening out, an algorithm. The distance between the harmonics becomes smaller and smaller but are generated up to 100,000 Hz. Tones / frequencies below the human audible range, subsonic frequencies, are therefore not defined as tones but as rhythms. Celestial bodies move in this frequency range. Tones / frequencies over the human audible range, supersonic frequencies, may be heard by certain animals, but at some point the frequencies slip over to what is termed light in a color spectrum starting with infrared and ending with ultraviolet.

These proportions or algorithms are found in geometric proportions everywhere in nature, but also as frequency proportions or patterns.

The universe is a fractal, scalable frequency field.
In the beginning was the frequency.

The Standing Wave of the Universe

Neo-Pythagorean practice is found at the very top of physics. One representative is the German physicist Hartmut Müller. He was the youngest member of the Academy of Sciences in Russia, and when he returned to Germany in the late 90s, he had to sign that he would not mention his research from Russia for the next 10 years. He did so in the late 00s.

Similar research in the West is hi-jacked by the military, particularly the US. Science exists, it only takes place in underground hi-security facilities using abducted, threatened by threats or fragmented / compartmentalized scientists. It was the same people who stole Tesla’s appliances and leftovers and reportedly took his life. In Russia, paradoxically, even during the Cold War and the Soviet regime, there was free research in all areas. Certain applications of science were subject to classification, but never to the same extent as in the West.

Reason: even in the infamous Soviet regime, science was never equally commercialized, politicized, and militarized – for there was no money in it!

• Hartmut Müller describes the Universe as a standing wave that follows the Pythagorean scale and the natural / universal solfeggio frequencies.
• H.M. says as follows: There is no matter without spirit. There is no spirit without matter.
• H.M.’s main principle is called global scaling , which is a fractally constructed universe.
• H.M. advocates proton resonance, which is the almost incomprehensible phenomenon that every atomic nucleus (proton) knows the presence of another proton nucleus wherever it is in the Universe – immediately! The speed of light as a limitation on communication is non-existent.

A fundamental problem with physics and science has been that consciousness has been absent – put outside the door. Consciousness has been a mechanical by-product of electrochemical processes in the brain. This is a scientific lie or at best a misunderstanding. Consciousness is non-local and therefore not a by-product of a walnut-shaped wrinkle behind the skull. Consciousness is universal and part of the totality. God is consciousness. The universe, therefore, is not a chaotic, unconscious, meaningless, randomized, and self-destructive machine, but an intelligent, creative, and self-sustaining organism.

AstroTheology

In a later version, there are seven and not six tones. Hence the name octave, the eighth tone, which is an octave, i.e. frequency doubling of the first note.

The seventh note is Si (Ti)

If you start the scale from top to bottom – in music theory called the diatonic scale, as it consists of two kinds of transition tones, halftones and full tones (see keyboard) – you get an creation story in an esoteric interpretation:

Do (Ut) – Dominus = God
Si – Sidera = the stars, the Universe, macrocosm
La – Lactea = The Milky Way, the galaxy
Sol – The Sun, Helios (Jesus Christ)
Fa – Fata, destiny, astrology based on the planets of the solar system and
their fateful dynamics
Mi – Microcosm, Earth
Re – Regina, the queen, Luna, the moon
Do –

The esoteric explanation of the downward scale hides in Genesis:

Do is day Zero.
Before creation, the so called Big Bang
Big Bang never happened, by the way …
Si is day 1.
Yin is dark (dark matter, black energy), Yang is light (matter, energy).
This is Macrocosm. God said: Let there be light.
La is day 2.
Let there be a firmament in the middle.
God creates the galaxy, the Milky Way.
Sun/Sol is day 3.
Let Heaven and Earth come together in one place.
God creates the solar system, the heliosphere.
Fa is day 4.
Fate, day and night, time (Kronos, Saturn, Satan – the contradictory), astrology. God creates time through his opposite pole / the opponent.
Mi is day 5.
God creates the Earth – by the way, there is more water than earth.
This is the microcosm
Re is day 6.
God creates man. Regina is the moon.
He who is not ruled by God is ruled by the Moon.
Moon phases, menstrual cycle, tide.
Steiner: you only sow in the Yin cycle (full moon, new moon)
Do – And on the seventh day God rested.

Christian Esoterics

In the 11th-12th. century the idea arose within the Catholic Church of the frequencies implemented as ‘technology’ in Gregorian chant . But 150 of the hymns in the system disappeared during the course of history. Their disappearance was not accidental but intentional. These hymns were the most healing-potent, and since Church leadership did not want healing and healing but dependence and powerlessness, the hymns were made inaccessible to the entire congregation.

In 1997, dr. Joseph Puleo went to the Church and demanded their extradition. Source dr. Leonard Horowitz. The church denied him entry. Why deny people access if you have nothing to hide? We will not go into detail here about how the ultra-rich and powerful families like Medici and Borghia o.a. bought into the Church. It is also through them and the Venetians that we have an artificial 10-number system and not a natural 9-number system.

Dr. Leonard Horowitz – if you think you know something about Solfège frequencies and chamber tone 432 without knowing Horowitz’s contribution, then I have the bad news for you that you do NOT know the subject well enough.
The good news is that you now get an opportunity to do so.

528 Revolution

So what did they hide? It turns out to be an encoding of the Bible that has taken place in early historical times – when? We do not actually know, but my own guess is: By the burning down of the great library of Alexandria in the period when the Roman Empire transformed itself into the Catholic Church.

The small cross-sum stack

There are really only 9 numbers. We should have a 9-number system, but a 0 and a 10-number crept in, so now we have a 10-number system. This is not a mathematical dissertation but is only about the special qualities found in the 9 numbers, which allow us to begin to understand what music, frequencies, health and numbers have to do with each other.

The cross sum is a horizontal addition as opposed to a vertical addition in grocery accounting and normal mathematics.

9 is stable and unchangeable.
9 has a frequency whose quality is harmony and all-encompassing wholeness.

9 x 1 = 9
9 x 2 = 18 = 9
9 x 3 = 27 = 9
9 x 4 = 36 = 9
9 x 5 = 45 = 9
9 x 6 = 54 = 9
9 x 7 = 63 = 9
9 x 8 = 72 = 9
9 x 9 = 90 = 9

Total = 81 = 9
This is the basic principle of quality, the essence of the number 9. Next, we can see how the other numbers have similar and yet different qualities.

8 is imploding, steady decline – no skip. 8 can be said to contain a frequency of collapse as in entropy.
If we put the number 8 down ∞ we get something completely different – infinity.

8 x 1 = 8
8 x 2 = 7
8 x 3 = 6
8 x 4 = 5
8 x 5 = 4
8 x 6 = 3
8 x 7 = 2
8 x 8 = 64 = 1
There are 64 fields in a chess game and 88 keys in a keyboard
8 x 9 = 9

Last row always ends with 9 (everything ends with 9)
Total = 45 = 9, i.e. this applies to all series of numbers.

7 goes downwards using 1 skip

7 x 1 = 7
7 x 2 = 5
7 x 3 = 3
7 x 4 = 1
7 x 5 = 8
7 x 6 = 6
7 x 7 = 4
7 x 8 = 2
7 x 9 = 9

6 circulates around 6, 3 og 9 via 2 descending skips:

6 x 1 = 6
6 x 2 = 3
6 x 3 = 9
6 x 4 = 6
6 x 5 = 3
6 x 6 = 9
6 x 7 = 6
6 x 8 = 3
6 x 9 = 9

5 descends with 3 skips:

5 x 1 = 5
5 x 2 = 1
5 x 3 = 6
5 x 4 = 2
5 x 5 = 7
5 x 6 = 3
5 x 7 = 8
5 x 8 = 4
5 x 9 = 9

4 descends with 4 skips:

4 x 1 = 4
4 x 2 = 8
4 x 3 = 3
4 x 4 = 7
4 x 5 = 7
4 x 6 = 3
4 x 7 = 8
4 x 8 = 4
4 x 9 = 9

3 looks like 6 starting with itself = 5 skips:

3 x 1 = 3
3 x 2 = 6
3 x 3 = 9
…

2 ascends with 1 skip:

2 x 1 = 2
2 x 2 = 4
2 x 3 = 6
2 x 4 = 8
2 x 5 = 1
2 x 6 = 3
2 x 7 = 5
2 x 8 = 7
2 x 9 = 9
…

1 ascens without skips:

1 x 1 = 1
1 x 2 = 2
…

9 completes the circle without being static.

The Numbers in the English Alphabet
– 26 letters – numbers

They call it numerologi in pop culture.
A better name would be Gematria or AlphaMath.

A = 1
B = 2
C = 3
D = 4
E = 5
F = 6
G = 7
H = 8
I = 9
J = 1
K = 2
L = 3
M = 4
N = 5
O = 6
P = 7
Q = 8
R = 9
S = 1
T = 2
U = 3
V = 4
W = 5
X = 6
Y = 7
Z = 8

Sum total = 126 = 9

3×1 = 3 + 3×2 = 6 + 3×3 = 0 … repeated till 26×3=6 = 153 = 9
6×1 = 6, 6×2 = 3, 6×3 = 9 … same frequency = 153 = 9
9×1 = 9, 9×2 = 9, … same frequency = 234 = 9.

The Hebrew and English alphabets can be interpreted in the same way, even if they are read in different directions. Eventually we will have to say that all roads lead to 9.

Hebrew is derived from Akkadian, the Babylonian-Semitic language. Each syllable has its own frequency when sung. The first language was called Babel. Akkadian means the Gateway to God. Language that has since been developed cannot be deciphered numerically, and the the Gateway to God is therefore hidden – it is the tower of Babel that fell. Did someone sabotage the original language so that it collapsed and the gateway was closed?

The Hebrew alphabet consists of 22 characters. There are 22 degrees between Fa and Sol on the musical scale. There are 22 lunar cycles where each element changes polarity from north to south.

Bible Codes

The entire alphabet is found in Psalm 119 in the Book of Psalms. Strangely enough, not in the Danish translation (1931 edition) but rather in the English version.

Every 6th verse starts with a new letter:

Aleph
Beth (heraf navnet alfa-bet)
Gimel
Daleth
He
Waw
Zayin
Heth
Teth
Yodh
Kaph
Lamedh
Mem
Nun
Samekh
Ayin
Pe
Tsadhe
Qoph
Resh
Sin
Shin
Taw

By the English version is meant the King James Bible. Much can be said about the editorial, but the fact was that King James VI of Scotland aka King James I of England was a Freemason of the Scottish rite, which means a Knights Templar – which again can be said very much about. Full of secrets, etc., but they knew that the Bible was hiding many secrets, which appeared only to the initiates (the illuminated, enlightened). So while manipulating the editorial, they made sure to keep the treats intact. Here we find the connection to John the Baptist, who according to the Knights Templar was the ‘Master’ before Jesus. Evil tongues want to know that they worshiped a head – as in John the Baptist’s severed head when it was served on a platter for bitch Salome. The evil tongue was the French King Philip the Beautiful, about whom certainly nothing beautiful can be said.

That John was a mentor for Jesus is mainstream and is in the New Testament, so what is the problem?
If it’s a secret, it’s a secret in broad daylight.

The alphabet embedded in Psalm 119 in Hebrew falls on every 8th verse and gives the numbers:

1,9,8,7,6,5,4,3,2,1,9,8,7,6,5,4,3,2,1. We have seen above that the number 8 gives the descending / imploding number series in relation to English, which gives an exploding series.

The four books of Moses, the Torah have names in Greek and Latin:

Genesis (Creation)
Exodus (The Exodus from Egypt)
Leviticus (Law texts of the Levites, priests)
Book of Numbers
Deuteronomy (Book of Words)

4th Mosaic Book is also called In the Wilderness, because it describes the wandering of the Jews in the wilderness. Incidentally, it makes no sense to wander 40 years around in the desert when you can cross the Sinai and Negev deserts in a few weeks on foot – max! So it should not be taken literally or as an expression of actual history – like anything in the Bible.

In the Book of Numbers there are hints at the meaning of numbers.
Certain numbers go over and over again:

7
There are 7 days a week.
God created the World in 7 days
The 7th son of the 7th son
There are 7 notes in the full diatonic scale (white keys on the piano)

12
There are 12 months in the year
There are 12 disciples about Jesus
There are 12 knights around the round table
There are 12 notes on the piano with the black keys (7 + 5)

7 and 12 are therefore important.
It gives a clue as to where we should look.

In the Book of Numbers, chapter 7 verse 12 and up to verse 83 there is a sequence that divides every 6 verses and starts with the first day, the second day … until the 12th day. It is apparently a trivial listing of the gifts that were given to Moses for the building of the Sanctuary. The list contains a whole range of numbers – a silver dish weighing 130 shekels, a silver bowl 70 shekels, a jug 10 shekels, 1 bull, two horned cattle, 5 bucks, 5 lambs, etc. It makes very little sense other than as a piece of stock management . The 130 and 70 centuries go by again and again. Same with 10 century etc-etc. Is there a particularly deep meaning to be dug up in the number of sacrificial offerings and animals? Or is it a distraction, is this where we are met by the gatekeeper to the inner temple courtyard?

NB! crucial point – how to get from the Book of Numbers to the special kind of Solfège that triggers special (magic) numbers:

Ut = 396 = 9
Re = 417 = 3
Mi = 528 = 6
Fa = 639 = 9
Sol = 741 = 3
La = 852 = 6

Here we go!

We do this by using the Pythagorean method of cross-sum reduction, which we have demonstrated above:

Verse 12 = 1 + 2 = 3
Verse 18 = 1 + 8 = 9
Verse 24 = 2 + 4 = 6
Verse 30 = 3 + 0 = 3
Verse 36 = 3 + 6 = 9
Verse 42 = 4 + 2 = 6
… repeat to verse 78

396 repeats itself. The you get it … if you get it.
This is the first frequency: UT

In verse 13 the burnt offering of a young bull, a ram and a lamb is mentioned:

Verse 13 = 1 + 3 = 4
Verse 19 = 1 + 9 = 1
Verse 25 = 2 + 5 = 7
… repeat

Next frequency is the: 417 – RE

Verse 14 = 5
Veres 20 = 2
Verse 26 = 8
… repeat

Frequency 528 – MI

Verse 15 = 6
Verse 21 = 3
Verse 27 = 9
… repeat

Frequency 639 – FA

Verse 16 = 7
Verse 22 = 4
Verse 28 = 1
… repeat

Frekvens 741 – SOL

Verse 17 = 8
Verse 23 = 5
Verse 29 = 2
… repeat

Frequency 852 – LA

As said:
What is written on the lines in the Book of Numbers 7, 12-83 is almost irrelevant, repetitive enumeration. They don’t make any sense. It is the coding and the hidden numbers that are relevant.